In contrast to the fairytale motifs and happy endings of Fearless, evermore saw Swift become fixated on “unhappy” endings — stories of failed marriages (“happiness”), lifeless relationships (“tolerate it”), and one-time flings (“’tis the damn season”). Like its (literally) folklorian sister, evermore was a surprise release at the end of 2020, marking the first time Swift didn’t have distinct “eras” between albums. It was exciting enough for Swifties to experience one surprise album drop from Swift, an artist who typically has an entire album campaign calculated. At the 2021 GRAMMYs, folklore took home Album Of The Year, making her the fourth artist in history to win three times in the Category. After its release, folklore became the best-selling album of 2020 after selling 1.2 million records. Lover became Swift’s sixth No. 1 album in America, making her the first female artist to achieve the feat.
But if you want to add a bit of prestige to your supernatural soundtrack, there’s another list of Halloween-friendly songs to check out — one that highlights another celebrated annual occasion. With Halloween celebrations in full swing this Oct. 31, revisit some eerie or ghoulishly titled songs that have been awarded golden gramophones, from the ‘Exorcist’ theme to Eminem and Rihanna’s “The Monster.” More than 40 years later, she’s still happy to discuss and play that single she recorded back in Kingston as a young woman.
And in true Swiftian fashion, turning into a pop artist didn’t just prove her genre-shapeshifting capabilities — it further solidified her as an artist who is at her best when she freely creates to her desires and refuses to adhere to anyone. After years of identifying as a country artist and flirting with pop, Swift departed her roots to reinvent herself, no matter what her then-label or critics had to say. On Red, Swift focused on emotions evoked from a hot-and-cold relationship, one that forced her to experience “intense love, intense frustration, jealousy and confusion” — all feelings that she’d describe as “red.”
A pop and reggae album, A Girl Like Me peaked at number five on the Billboard 200 chart, with 115,000 copies sold in the US in its first week. Impressed, Rogers arranged a second meeting with Rihanna and her mother—this time without the other two girls—and later invited them to his hometown in Connecticut to record demo tapes for record label submissions. Around this time, Rihanna began listening to reggae artists such as Sizzla and Damien Marley, as well as R&B musicians like Whitney Houston and Mariah Carey. She is the highest-certified female digital single artist by the Recording Industry Association of America, and has seven diamond-certified singles and fourteen number-one singles on the Billboard Hot 100. These albums contained the US number-one singles “Rude Boy”, “Only Girl (In the World)”, “What’s My Name?”, “S&M”, “We Found Love”, “Diamonds”, and “Work”. The albums spawned the singles “Pon de Replay” and “SOS”, which peaked at numbers two and one on the US Billboard Hot 100, respectively.
The song’s success buoyed sales for her debut full-length recording, Music of the Sun (2005), on which conventional R&B ballads shared space with Caribbean-flavored dance-pop that showcased her melodious Barbadian lilt. About the same time, she started a girl group with two friends, and in 2004 she attracted the attention of Evan Rogers, an American record producer. In September 2008, Rihanna joined fifteen other female artists to record and perform the song “Just Stand Up!” during the Stand Up to Cancer television special. That year, she released a photo book documenting the Last Girl on Earth tour, serving as a companion to her album Rated R (2009). Rihanna has eight number-one singles on the Hot R&B/Hip-Hop Songs chart, seven on the Airplay chart, and sixteen on the Rhythmic chart. Jocelyn Vena of MTV News observed that Rihanna often creates music videos that are thought-provoking and aligned with the themes of her songs.
Everything that happened after the success of Fearless pushed Swift from country music’s best-kept secret to a mainstream star. It might not be the romantic tale Swift dreamed of growing up, but her sophomore album signalled that bigger things were to come. It won Swift’s first Album Of The Year GRAMMY in 2010, at the time making her the youngest person to win the accolade at age 20.
Rihanna’s first studio album, Music of the Sun, was released in August 2005 to much intrigue. Her last No. 1 single, “Work” featuring Drake, topped the chart for nine weeks. Her first No. 1 song, “SOS,” topped the chart for three weeks in 2006, while her Grammy-winning Jay-Z collaboration “Umbrella” far surpassed that the following year, maintaining the lead spot for seven weeks.
Artistry
Rihanna, who has not released a full album since 2016’s “Anti,” voices betista casino Smurfette in the film. The songstress herself shared a sweet note on Friday, Aug. 29, thanking her fans and those who “gave me a chance over the years.” To celebrate her success in the music business and beyond, Rihanna is releasing “R20” merch and a vinyl album boxed set, which are available for pre-order on her official online store.
Videography and stage
- It was especially refreshing to see Rihanna emerge from one of the darkest periods of her life as exuberant as ever.
- When Swift released the lead single “Look What You Made Me Do,” a song she initially wrote as a poem about not trusting specific people, many assumed the album would center on vengeance and drama.
- Shortly after her 16th birthday, Rihanna left her home country for the U.S. to record a demo, which included her breakthrough hit “Pon de Replay.” The demo found its way into Jay-Z’s hands, and Hov signed the teen artist to Def Jam and the label expedited her 2005 debut album, aptly titled Music of the Sun.
- Following the success with folklore and evermore, Swift’s intrigue was at a then-all-time high upon the release of Midnights.
- Regarded as a turning point in her career, it marked a shift from the Caribbean-influenced sound of her earlier work, embracing a more contemporary pop direction driven by uptempo dance tracks.
And on Aug. 13, she opened up about the concept and creation of the record on her now-fiancé Travis Kelce’s podcast, “New Heights.” To help explain this chapter of her life, Swift brings together a myriad of collaborators — from Stevie Nicks as fellow poetess, to duets with Florence Welch and Post Malone — and leans on real and fictional characters, like Clara Bow, Peter Pan (“Peter”), and Patti Smith. It pokes fun at so-called fans who overstep with her personal life (“But Daddy I Love Him”), says goodbye to a city that gave her a home (“So Long London”), and muses on how her own celebrity has stunted her growth (“Who’s Afraid Of Little Old Me?”). As a result, there had arguably never been more excitement for a Taylor Swift album than for The Tortured Poets Department — especially because the announcement came on the heels of her lucky 13th GRAMMY win in February.
- Known for her changing style and image, Rihanna’s music and fashion choices have been closely followed by the media.
- The album feels like one big celebration of life, as evidenced by Rihanna’s fire-engine red hair and No. 1 singles “Only Girl (In the World)” and “What’s My Name?” (the latter of which was Rih’s first collaboration with Drake).
- Departing from Def Jam in favour of Jay-Z’s label, Roc Nation, she released the eclectic Anti (2016)—her second number-one album.
- Backed by some fast and furious fiddles, “The Devil Went Down to Georgia” tells the tale of a young musician named Johnny who bumps into Beelzebub himself during a jam session in the Peach State.
- Impressed, Rogers arranged a second meeting with Rihanna and her mother—this time without the other two girls—and later invited them to his hometown in Connecticut to record demo tapes for record label submissions.
- The pop star has an impressive 64 songs on the Billboard Hot 100 chart, including 14 No. 1 hits and 32 tracks in the top 10.
James Cameron’s epic love story starring Leonardo DiCaprio and Kate Winslet
Gleefully playing the witch doctor, prolific singer/bassist Esperanza Spalding individually released every song (and an accompanying video) from her seventh album across 11 days before serving up its cauldron of genre-hopping sounds in full. (Rih recorded an equally moving sequel for her Loud album.) Three years later, the two confronted their inner demons in “The Monster,” and their musical chemistry scored a GRAMMY in 2015 for Best Rap/Sung Collaboration. Final single “Te Amo” didn’t chart, but garnered a great deal of attention as the Latin-infused Stargate production depicts Rihanna being enticed by a female love interest. It also marked Rihanna’s first time veering away from her “girl next door” image, as the song’s subject matter deals with infidelity. Follow-up single “If It’s Lovin’ That You Want” stalled at No. 36 on the Hot 100, but still whetted fans’ appetite — as did her debut album, Music of the Sun, which is mostly comprised of dance-pop and dancehall tracks with hints of R&B (like “Willing to Wait”). Shortly after her 16th birthday, Rihanna left her home country for the U.S. to record a demo, which included her breakthrough hit “Pon de Replay.” The demo found its way into Jay-Z’s hands, and Hov signed the teen artist to Def Jam and the label expedited her 2005 debut album, aptly titled Music of the Sun.
Elizabeth Taylor has appeared as a character in Swift’s songs before, particularly in rep’s “Ready For It…?” where she compares herself to the famous actress and entertainer. Comparatively, “Eldest Daughter” — track five, a spot Swift notoriously reserves for the most emotional song — is a love song about the masks we wear and the selves we choose to reveal. Throughout the record, dynamic and layered pop soundscapes mimic the same energy Swift was feeling both on and off stage. “I thought who better to ask to be a part of this song than the ultimate showgirl Sabrina Carpenter.” Instead of writing songs akin to “I Can Do It With A Broken Heart,” a song about performing in the midst of heartbreak and grief, Swift opted to focus on what people don’t necessarily see when they buy a ticket to a show. Now that the curtain is up and The Life of a Showgirl is out, read on for five key essential insights from Taylor Swift’s new album.
Early Life
The dance-pop and R&B heavy record, which debuted at No. 2 on the Billboard 200 chart, featured several hit songs, including the singles “Don’t Stop the Music,” “Shut Up and Drive,” and “Hate That I Love You” with Ne-Yo. With its follow-up, “Our Song” — which spent six consecutive weeks on the top of Billboard’s Hot Country Songs chart — she became the youngest person to solely write and sing a No. 1 country single; she also became the first female solo artist in country music to write or co-write every song on an album. With the dance-pop set Loud (2010), she reflected on the fun she had while recording the album, incorporating ballads, party anthems, and empowering love songs.
On the Life of a Showgirl track directly named after the late icon, Swift circles back to the themes she touched on with folklore’s “Peace” and the tension between her private reality and her public persona. While half of The Life of a Showgirl’s 12 tracks peer into the darker corners of fame and explores the loneliness, scrutiny and fractures that used to come with it, the other half are dedicated to falling completely head over heels. And on The Tortured Poets Department’s “The Prophecy,” she pleaded for someone to change what she believed to be her predestined future of being alone and what she’d give up to find someone she loves.
She scored another No. 1 hit with the single “Rude Boy,” while the tracks “Hard” and “Russian Roulette” landed squarely in the top 10. Good Girl Gone Bad remains her best-selling album with over 10 million copies sold worldwide. Her lead single “Umbrella,” featuring Jay-Z, lead the Billboard Hot 100 for a whopping seven weeks and later won the Grammy Award for Best Rap/Sung Collaboration in 2008. Her sophomore effort, A Girl Like Me, followed in April 2006, incorporating reggae, rock, and pop influences.
The singer/songwriter also picked up a Best Traditional Pop GRAMMY in 2024 for her second LP, an immaculate collection of jazz, pop and classical that bridged the gap between Gen-Z and the Great American Songbook. Still, as a love song dedicated to wife Amanda Shires — and the quiet acceptance that the Grim Reaper will inevitably end their story — it’s certainly no less emotional. Just four years after picking up five GRAMMY nominations for their transatlantic chart-topper “Love the Way You Lie,” unlikely dream team Eminem and Rihanna once again joined forces for another hip-pop masterclass. Traditional Appalachian folk song “O Death” had previously been recorded by the likes of gospel vocalist Bessie Jones, folklorist Mike Seeger and Californian rockers Camper Van Beethoven, just to name a few. The King of Pop picked up a whopping 11 nominations for his first blockbuster album, Thriller, and then converted seven of them into wins, including Album Of The Year. Considering how perfectly Mike Oldfield’s prog-rock epic Tubular Bells complements all-time classic horror flick The Exorcist, it’s remarkable to think that it was recorded before director William Friedkin came calling.
Its second single, “If It’s Lovin’ That You Want”, peaked at number 36 in the US. After Rihanna signed with Def Jam, Jay-Z and his team spent three months completing her debut studio album. She waited in Jay-Z’s office while lawyers finalized a six-album contract with Def Jam. In early 2005, she performed in New York City for Jay-Z and music executive Antonio “L.A.” Reid, singing Whitney Houston’s “For the Love of You” along with demo tracks “Pon de Replay” and “The Last Time”.
Hit Songs
The record also featured the popular power ballad “Unfaithful,” as well as singles “We Ride” and “Break It Off.” The album debuted at No. 5 on the Billboard 200 chart and earned her first No. 1 hit with the catchy pop single “SOS,” which spent three weeks atop Billboard’s Hot 100. In 2008, Rihanna topped the chart three times, twice with her own songs “Disturbia” and “Take a Bow,” plus a feature on T.I.’s “Live Your Life.” She has also earned nine number-one songs on the UK Singles Chart and ranks second to the Beatles for the most million-selling singles in the country. This made her the artist with the most digital single awards and the first performer to exceed RIAA’s 100 million cumulative singles certification threshold. With estimated worldwide sales exceeding 250 million records as of 2023, Rihanna is one of the best-selling music artists of all time.
In August 2021, Forbes announced that Rihanna had become one of the richest entertainers in the world, estimating her net worth to be $1.7 billion at the time following the success of her cosmetic company. In lieu of another album, the singer-turned-entrepreneur, born Robyn Fenty, launched Fenty Beauty in 2017 in partnership with luxury goods conglomerate LVMH, which also preceded a short-lived luxury fashion line. “20 years ago, i left my country, my culture, my food, and family to embark on a journey that started with the release of my very first body of music!” she wrote in an Instagram caption alongside a montage of her biggest career moments. Rihanna officially becomes a billionaire and Forbes names her the ‘richest female musician’
While the world is still anticipating her ninth studio album, Rihanna — now a mom of two boys — continues to make her own rules and move at her own pace. With the glorious “Lift Me Up,” she found herself in the top 10 for the first time since 2017’s “Wild Thoughts.” Ever since ANTI, Rihanna’s devoted fanbase has been begging for a new album, with Rih playfully trolling them with responses like “I lost it” and Instagram captions that read, “Me listening to R9 by myself and refusing to release it.” Accolades aside, ANTI is proof that magic happens when an artist of Rihanna’s caliber follows their own instincts in pursuit of creating a body of work — one that can outlast them and continue to inspire generations to come. For instance, “Sex with Me” is featured on the deluxe edition as a bonus track, but managed to crack the Hot 100 at No. 83 and reach No. 8 on the R&B/Hip-Hop Airplay chart. Elsewhere on ANTI, Rihanna drunk dials an ex (“Higher”), compares smoking weed to her lover (“James Joint”), and chastises a guy for getting emotionally attached after their fling (“Needed Me”).
